When Bloomberg reported that Spotify would be upping the cost of its premium subscription from $9.99 to $10.99, and including 15 hours of audiobooks per month in the U.S., the change sounded like a win for songwriters and publishers. Higher subscription prices typically equate to a bump in U.S. mechanical royalties — but not this time.
By adding audiobooks into Spotify’s premium tier, the streaming service now claims it qualifies to pay a discounted “bundle” rate to songwriters for premium streams, given Spotify now has to pay licensing for both books and music from the same price tag — which will only be a dollar higher than when music was the only premium offering. Additionally, Spotify will reclassify its duo and family subscription plans as bundles as well.
What would be wrong with a model where artists had their own website where they could distribute their music? That’s what Faircamp does. Then people could actually download it, rather than use a companies crappy client with DRM.
I was referring to the sharding that happened with video streaming services. It used to be Netflix had mostly everything, in the start, similar to Spotify. Now there are services per publisher that contain their own catalogues.
Fuck. That.
So you’d rather a monopoly?
Spotify isn’t the only service currently.
Like I said in my op: it’s good service for the consumer. It might not be if enshittification ensues.
But compared to video streaming, it’s awesome.
The issue isn’t the service model, but the capitalistic shit behind it, that attempts to maximize profits instead of paying artists fairly.
Are you seriously throwing might into this sentence?
I suppose you could say when you throw a ball up in the air it might come back down but that is kind of being disingenuous isn’t it.
Here’s another thought, doesn’t it impact the quality of the service for the consumer if the workers doing the labor to create the substance of the service, the basic thing that gives the service value to customers, are not being rewarded in a sustainable fashion for their time and labor?
Do you really think all your favorite artists are going to keep cranking out music in this environment? More importantly, do you think your favorite artists would have ever been able to invest the time and effort to get big enough to become that 1% of the successful musicians if the environment they began in was as hostile towards musicians earning money as it is now?
The amount of quality recorded music being released is going to plummet as musicians just stop bothering to do it. We will look back on the 2000s-2010s as a golden era where music production tools were distributed and affordable but venture capital hadn’t yet destroyed the ability of up and coming recording artists and audio engineers to actually devote the time and focus to becoming professional.
At least 50% of the bands I’ve seen, toured with, or heard don’t record music to make money. There’s just too much music for it to be dependable income. They do it because they wanna share something neat with their friends. They upload it to sites like Spotify or a decade ago MySpace or a decade before that zines so other people can find cool shit. If they get lucky, that stumble upon nets a shirt sale which actually nets the band some income.
The sweeping generalizations you’re making do not apply. Stop trying to make music about money.
Edit: mailing tapes was a thing a few decades ago. Are you saying I ripped off those folks because I wanted friends on one coast to hear shit friends on the other coast recorded? That’s a really fucking hard DIY tour to build. You’re fucking Skinner saying all us kids are wrong.
…what?
Are you angry at me for saying your friends were still getting underpaid for their labor even back then?
For someone opposed to capitalism, you sure seem to think everything should be a grind mindset.
You’re underpaying all of us for our labor in interacting with you. You’re late on your “pay everyone on the fediverse” invoice. Don’t forget to pay your family for their “putting up with insufferable bullshit” time.
If a friend asks me to help with something, I don’t removed and moan about my unpaid labour. Fuck that, they’re my friends and I wouldn’t take the money even if offered. That’s just what friends do. The same applies to if I wanted to do something nice for them, like sending them a cool mixtape I made. That’s how you build communities! Focusing on payment like you do reduces everything to capitalism but with even less empathy and humanity.
I don’t understand where you are getting the impression that I think money is the point, I never said that.
What I said is the labor of recording musicians being totally eviscerated by capitalism is a tragedy and that I don’t buy the narrative that this was inevitable for one second.
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No, dude… Spotify doesn’t have exclusive streaming rights to its music
They were talking about how each publisher was making their own streaming service as if the solution would be to have them all under one roof aka a monopoly.
No, the solution would be for every app to be able to licence the music without any exclusivity, making them compete over the features their apps and services have instead of on the music itself. Video streaming is an oligopoly right now, which can be just as bad as a monopoly.
I mean, nobody intrinsically cares how many competitors there are, so long as the all content can be retrieved from a single source. Of course that doesn’t mean people wouldn’t care if a single company were to abuse their monopoly e.g. by charging unreasonable rates or forcing ads (looking at you, cable).
It’s worth remembering that monopolies aren’t inherently illegal in the U.S. or anywhere else really; it’s not against the law to have the best product by a mile, nor should it be. Antitrust is illegal, which in this case would be defined by signing exclusive rights for all content and then providing a shitty service.