zalack

That’s how I wake up in the morning

We as a society have already said that we don’t allow children to make their own decisions, so any trans-related care falls under that banner and is, like any major medical procedure, already incredibly difficult for minors to get approved for. If you feel that we should be legislating beyond the practices of the medical community and the FDC, then yes that will carry a high bar of medical knowledge I’m going to ask you to have, as you are advocating for knowing better than the field of medicine as a whole.

There are still strict medical guidelines that doctors have to follow, even on an individual level. The story I hear over and over again from trans people is “it was a nightmare getting approval for my care and it took years” not “it was super easy”.

My question will always be: why is trans care special? We already have lots of rules around medical care for children. Why does trans care need to be specifically singled out?

If you passionately believe that you should be allowed to make medical decisions for someone else instead of their doctor, that you know better than the medical community, you better fucking be able to answer the precise medical reasoning behind it.

My worldview on abortions and transitioning is easy: that’s a personal choice between an individual and their doctor. It doesn’t affect the health of anyone but the person getting the procedure so I, but anyone else, should have a say.

I don’t need in-depth medical knowledge to defend that position. If you’re position is that we should go mucking about in other people’s care, you do need to know the medical particulars for why you believe that or I’m going to judge you hard.

NVIDIA’s marketing overhypes, but their technical papers tend to be very solid. Obviously it always pays to remain skeptical but they have a good track record in this case.

But it can be removed as a possibility by circumstance, which is what this comic is getting at.

They’re tak-ing. myyy. gills.

At 30,000 employees that’s only $23,000/person. I’m sure payroll alone is well North of $700M per year.

No worries! Your heart is in the right place!

The OCM analogy is that a lot of “wholesome” content points to much deeper and darker systemic issues, but rather than diving into those, such articles only scratch the surface and present their stories in a Rosy light of “Thing turned out good this time!!! Yay!!!”, rather than the – IMO, more appropriate – light of tearing their hair out and asking “why the fuck is this sort of generosity even needed on an individual level??? Why is society producing this situation in the first place???”

For instance, this article’s title could be rewritten as “Writers for multi-billion-dollar streaming platforms, striking over lack of traditional media residuals, forced to resort to good banks during era of record profits” to avoid OCM-syndrome.

I’m an IATSE member (Editor’s Guild) and yeah, I think “high skilled workers asking for reasonable compensation parity from streaming platforms forced to use foodbanks for the audacity” definitely fits the spirit of that sub.

I’m not whining about the solidarity. I’m whining about the greedy Studio execs that made this necessary.

Is there a fediverse version of /r/OrphanCrushing Machine? Because this fits the theme

The comment was about strategy, not objective.

Did it? Can I skip whatever the bad Seasons were and have it still make sense. Picard was always my favorite captain so I was super bummed when I heard the show was super jaded / gritty / bad.

Strange New Worlds had been pretty consistent. I don’t mind the occasional flub, it’s better to go out on a limb occasionally than play it totally safe.

I saw somewhere that the actor improved that line which means he blurted it out with Riker standing right there which feels totally in line with the tone of the episode they were shooting. It’s funny to me on so many levels.

Lol, for some reason this made me think of a scene from The Good Place:

Hey. You look happy. You get laid last night? I didn’t. Tried. Hard. This chick that I met after I followed her into a yoga class, but she wasn’t into it. Maced me. Right in the eyes. Stung like hell. What was I saying? Oh, yeah. Hey.

It’s not that strange. A timeout occurs on several servers overnight, and maybe a bunch of Lemmy instances are all run in the same timezone, so all their admins wake up around the same time and fix it.

Well it’s a timeout, so by fixing it at the same time the admins have “synchronized” when timeouts across their servers are likely to occur again since it’s tangentially related to time. They’re likely to all fail again around the same moment.

It’s kind of similar to the thundering herd where a bunch of things getting errors will synchronize their retries in a giant herd and strain the server. It’s why good clients will add exponential backoff AND jitter (a little bit of randomness to when the retry is done, not just every x^2 seconds). That way if you have a million clients, it’s less likely that all 1,000,000 of them will attempt a retry at the extract same time, because they all got an error from your server at the same time when it failed.

Edit: looked at the ticket and it’s not exactly the kind of timeout I was thinking of.

This timeout might be caused by something that’s loosely a function of time or resources usage. If it’s resource usage, because the servers are federated, those spikes might happen across servers as everything is pushing events to subscribers. So, failure gets synchronized.

Or it could just be a coincidence. We as humans like to look for patterns in random events.

Crowd extensions are already pretty common with traditional VFX techniques.

I worked in Hollywood editorial for a bit and, IMO, the producers are playing up the AI stuff so that said stuff can be given to the writers and actors as a “victory” instead of the real spectres in the room:

• streaming residuals need to get the same payout and transparency as home video and syndication did

• streaming numbers need to be made available to creators to facilitate the above.

• the ‘mini-room’ system that totally disconnects writers from the productions they are writing for needs to be broken down.

I didn’t even consider the fact that the fediverse offers us the ability to start having publicly owned social media and government-run instances for direct communication.

That could be very interesting…

Teleporters are interesting because when you think about it long enough, you realize the person on departure end died.

You think about it more… and if the person that comes out the arrival end is an exact replica – down to the atom – and, further, has internal continuity of experience… You realize that if you accept they died then you kind of also have to accept that the “you” of any given instant is constantly dying and giving way to the “you” of the next instant. That person living that experience at that exact moment will never exist again; they’re dead.

So you’re kinda back to transporters being business as usual again, but with a fun new existential crisis on the side.