koreth

I don’t think Netflix actually cancels shows after two seasons any more often than other networks do.

Somehow people got it into their heads that Netflix is far more cancel-happy than its competitors, but if you look at the numbers, traditional TV networks have had like a 50% cancellation rate for decades.

Even TOS was cancelled after two seasons!

If Netflix is more prone to cancelling shows at all, which I’m not convinced is even true, it can’t be by an enormous margin.

The paper (linked from the article) has a photo of the actual tablet in question, which was apparently discovered circa 1900.

As a fan of Ms. Marvel, I enjoyed the main campaign well enough, but all the MMO stuff is obnoxious. Luckily you can mostly ignore it and go through the campaign missions single-player. I uninstalled it after getting to the end of the story.

I think this is a more subtle question than it appears on the surface, especially if you don’t think of it as a one-off.

Whether or not Scientology deserves to be called a “religion,” it’s a safe bet there will be new religions with varying levels of legitimacy popping up in the future. And chances are some of them will have core beliefs that are related to the technology of the day, because it would be weird if that weren’t the case. “Swords” and “plowshares” are technological artifacts, after all.

Leaving aside the specific case of Scientology, the question becomes, how do laws that apply to classes of technology interact with laws that treat religious practices as highly protected activities? We’ve seen this kind of question come up in the context of otherwise illegal drugs that are used in traditional rituals. But religious-tech questions seem like they could have a bunch of unique wrinkles.

I haven’t run into too many bugs in the game, but in combat it’s frequent for the game to have to sit there for several seconds thinking about what an enemy should do next. Hope that’s one of the performance improvements they’re working on.

Tunic, but that was kind of the point.

Their track record isn’t that bad, is it? Castlevania and Edgerunners were pretty good adaptations. Dragon Age was all right. And Arcane was amazing, though Netflix wasn’t involved in that one early on. So there’s reason to be at least cautiously optimistic, IMO.

Not just by the time of Kirk. He’s already gone by the time of “The Cage.”

EDIT: No, I got my timeline screwed up. “The Cage” predates SNW. Oops.

Saw this at the Comic-Con screening and it works better than I expected, especially the physical comedy. The exaggerated cartoon antics are still there, but toned down just enough to not seem out of place in live action.

Commander Reid Wiseman and his crewmates—pilot Victor Glover, mission specialist Christina Koch, and Canadian astronaut Jeremy Hansen—were named to the Artemis II crew on April 3.

“Hello, crewmate! What are you doing on this mission?”

“I’m the pilot. You?”

“I’m the Canadian.”

The “developed or supplied outside the course of a commercial activity” condition is part of why people are up in arms about this. If I’m at work and I run into a bug and submit a patch, my patch was developed in the course of a commercial activity, and thus the project as a whole was partially developed in the course of a commercial activity.

How many major open-source projects have zero contributions from companies?

It also acts as a huge disincentive for companies to open their code at all. If I package up a useful library I wrote at work, and I release it, and some other person downloads it and exposes a vulnerability that is only exploitable if you use the library in a way that I wasn’t originally using it, boom, my company is penalized. My company’s lawyers would be insane to let me release any code given that risk.

The AR wall was obvious but it doesn’t bother me that much. Environments that require active suspension of disbelief have been a Star Trek staple since the 1960s.

This post begs for a list of games whose stories avoid most or all of these traps.

I’ll start with an easy one: Disco Elysium.